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I have seen four A stamps on Natural finished bodies, and a trans-red with an A stamp. I've seen a C on a Monaco Yellow and a Sunburst.
I have also seen a D, along with an A on a Sunburst body. This is just a theory, but if only A's were put on Natural finished guitars as an example, it could help determine if a guitar is refinished. The number will have an 'S' prefix possibly an 'E', read below followed by a six pot number.
The first digit is supposed to reflect the year of manufacture, but there are major overlaps in this regard, and the serial number should not be used to ID a guitar's exact year of manufacture.
The last five digits are basically random. An important thing to look for are the matching serial number stickers in the neck pocket and on the pickguard.
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Most Natural and Sunburts finished guitars seem to be three-piece bodies, painted ones may be more. Necks are Maple, and are constructed from one complete piece if they have a Maple fingerboard.
The trussrod was inserted through the back of the neck and the channel filled with the Walnut "skunk stripe". This dating stratocaster pots process was used regardless of whether it was a Maple or Rosewood fingerboard. Rosewood fingerboards of 's Strats retain the "round-lam" style started in the 60's where a thin laminate is glued onto the curved Maple neck surface.
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It wasn't until the "slab" board came back. Body Routings: In the 's profiles of the pickup routings became slightly wide and squared on the ends.
By they became rounded again. Not sure of the function, it must have something to do with the machining process a guide of some sort, perhaps.
In a notch was added for a ground wire lug in the dating stratocaster pots cavity and output jack cavity and a black shielding paint was sprayed into the cavities right over the lugs and wires that were soldered to them.
If a solid paint color was applied to the body it was applied right over the shielding paint which may make it hard to see.